
Tobias Ringborg
Represented By:
Tom Kristensen
tk@crescendiartists.com
+45 21 85 58 61
Ole Justesen
oj@crescendiartists.com
+45 21 85 58 60
INTRODUCTION
Tobias Ringborg is equally at home on the podium as a conductor and violinist, as well as in the opera house.
RECENT AND FUTURE ENGAGEMENTS
In 2018/19 Tobias Ringborg returned to New Zealand with La Bohème, to Scottish Opera with The Magic Flute, and led concerts with a. o. Auckland Philharmonia, Dalasinfoniettan and the Royal Stockholm Philharmonic.
In 2019/20 he made his Australian debut with Madama Butterfly in Adelaide and led Offenbach’s Orphée aux enfers in Malmö and concerts with Victoria Symphony (Canada), and the Swedish Radio Symphony Orchestra.
As violinist he participated in the Leksand Chamber Music Festival.
BIOGRAPHY
Tobias Ringborg’s career started in 1994 when he, as a violinist, won the prestigious Swedish Soloist Prize. The same year he graduated with the highest honours from the Royal College of Music in Stockholm, and went on to study at the Juilliard Schoolin New York, graduating in 1996.
As a violinist, Ringborg has appeared with every Swedish orchestra and has collaborated with conductors such as Gennady Rozhdestvensky, Neeme Järvi, Okko Kamu, Sakari Oramo, and Daniel Harding. International credits also include the first prize of the Concours International de Musique de Chimayin Belgium. He is an active champion of Swedish music, and his discography includes about 20 CD’s with chamber music and violin concertos, mostly by Swedish composers. In between operatic and symphonic engagements, Ringborg maintains an active career as a violinist, and plays a Gagliano instrument, on loan from the Järnåker foundation of the Royal Swedish Academy of Music.
In 2000, Tobias Ringborg decided to expand his musical career after winning a conducting competition in Helsingborg. His lifelong passion for opera led to his operatic debut at the Stockholm Folkoperan in 2001, with Verdi’s La traviata. In 2002 he began a two year association with Malmö Opera, leading performances of a. o. Mozart’s Don Giovanni, Strauss’ Ariadne auf Naxos and Verdi’s Otello. In 2001 he made his debut at the Royal Swedish Opera with Puccini’s La Bohème, and has since then been strongly tied to that company, leading a.o. Mozart’s Don Giovanni and Die Zauberflöte, Donizetti’s L’elisir d’amore, Bizet’s Carmen, Verdi’s Don Carlo and Rigoletto, Tchaikovsky’s Eugene Onegin, Puccini’s Manon Lescaut, Tosca and Turandot, as well as the 2016 new production of Giordano’s Fedora (directed by Christof Loy).
Specializing in Italian opera, as well as Mozart, operatic merits include Turandot at Dalhalla, Gounod’s Roméo et Juliette, Turandot and Mozart’s Le nozze di Figaro at Norrlandsoperan in Umeå, Puccini’s La fanciulla del West, Mozart’s Idomeneo, and Rossini’s Le comte Ory in Malmö, Turandot and L’elisir d’amore at Gothenburg Opera, Rossini’s Il barbiere di Siviglia, Tchaikovsky’s Swan Lake and J Strauss’ Die Fledermaus at the Norwegian Opera in Oslo, and Gounod’s Faust, Idomeneo, Don Giovanni and Bellini’s I Puritani at the Danish National Opera. In 2008 he conducted La traviata for his German debut at Oper Leipzig, and in 2009 Così fan tutte for his British operatic debut at Scottish Opera, in an acclaimed production by David McVicar. He has returned to Scotland for Verdi’s Rigoletto and Il trovatore as well as for Le nozze di Figaro. At Opera North he has conducted La Bohème, Don Giovanni, Verdi’s Macbeth, L’elisir d’amore, Leoncavallo’s Pagliacci, Mascagni’s Cavalleria Rusticana and Bernstein’s Trouble in Tahiti. At Garsington Opera he has led Idomeneo, and at New Zealand Opera Puccini’s Madama Butterfly and Tosca.
The symphonic repertoire he has explored with orchestras such as the Royal Stockholm Philharmonic (leading the Nobel Prize ceremony in 2011), Swedish Radio Symphony Orchestra, and the symphony orchestras of Gothenburg, Malmö, Helsingborg and Norrköping (leading the orchestra’s 100th anniversary in 2012 with Beethoven’s Symphony no 9), Aarhus, Odense, Kristiansand, and Wuppertal, as well as Copenhagen Philharmonic and Scottish Chamber Orchestra. In 2005 he made his London debut with the English Chamber Orchestra at the Barbican, both as conductor and soloist. 2012-15 he was Principal conductor of the Swedish Dalasinfoniettan.
In 2010, Ringborg conducted the world premiere recording of the 1849 belcanto opera Cristina Regina di Svezia, by Italian/Swedish composer Jacopo Foroni, with the forces of Gothenburg Opera (released by Sterling).
The same year Tobias Ringborg was awarded the Herbert Blomstedt Prize by the Royal Swedish Academy of Music, and in 2011 he was elected a member of the same academy.
OPERA/OPERETTA |
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Bellini, V. | I puritani | |
Bernstein, L. | Trouble in Tahiti | |
Bizet, G. | Carmen | |
Blomdahl, K-B. | Aniara | |
Britten, B. | Peter Grimes | |
Donizetti, G. | L’elisir d’amore | |
Du Puy, É. | Ungdom og Galskab | |
Foroni, J. | Cristina, Regina di Svezia | |
Giordano, U. | Fedora | |
Gounod, C. | Faust | |
Roméo et Juliette | ||
Leoncavallo, R. | Pagliacci | |
Mascagni, P. | Cavalleria rusticana | |
Mozart, W.A. | Così fan tutte | |
Don Giovanni | ||
Idomeneo, Re di Creta | ||
Le nozze di Figaro | ||
Die Zauberflöte | ||
Munktell, H. | I Firenze | |
Offenbach, J. | Orphée aux enfers | |
Peterson-Berger, W. | Adils och Elisiv (shortened version) | |
Arnljot, act 2 | ||
Puccini, G. | La Bohème | |
La fanciulla del West | ||
Madama Butterfly | ||
Manon Lescaut | ||
Il tabarro | ||
Tosca | ||
Turandot | ||
Rossini, G. | Il barbiere di Siviglia | |
Le comte Ory | ||
Sandström, S-D | Nätverket (world premiere) | |
Smetana, B. | The bartered bride | |
Strauss, J. | Die Fledermaus | |
Strauss, R. | Ariadne auf Naxos | |
Tchaikovsky, P.I. | Eugene Onegin | |
Unander-Scharin, C. | Loranga, Masarin och Dartanjang (world premiere, 2006) | |
Verdi, G. | Don Carlo (version in five acts) | |
Macbeth (1865 version) | ||
Otello | ||
Rigoletto | ||
La traviata | ||
Il trovatore | ||
Un giorno di regno |
BALLET |
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Mendelssohn, F./ Neumeier, J. |
A Midsummer Night’s Dream | |
Tchaikovsky, P. I. | Sleeping Beauty | |
Swan Lake |
MUSICALS |
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Bernstein, L. | West Side Story | |
Boublil, A. /Schönberg, C-M. | Miss Saigon | |
Yeston, M. | Nine |
CONCERT | ||
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Aulin, T. | Konsertstycke in G minor, Op 7 (Concerto No 1) | |
Concerto No 2 in A minor, Op 11 | ||
Concerto No 3 in C minor, Op. 14 | ||
Bach, J. S. | Concerto in A minor, BWV 1041 | |
Double Concerto in D minor, BWV 1043 | ||
Brandenburg Concerto No 2, BWV 1047 | ||
Brandenburg Concerto No 5, BWV 1050 | ||
Bartók, B. | First Rhapsody (1928) | |
First Rhapsody (1928) | ||
Beethoven, L.v. | Concerto in D major, Op. 61 | |
Romances in G major, Op. 40 and F major, Op. 50 | ||
Triple Concerto in C major, Op. 56 | ||
Bengtsson, G. | Concerto in B minor | |
Berwald, F. | Concerto in C-sharp minor (1820) | |
Brahms, J. | Concerto in D major, Op. 77 | |
Double Concerto in A minor, Op. 102 | ||
Bruch, M. | Concerto No 1 in G minor, Op. 26 | |
Bäck, S. | Erik – Concerto (1957-60) | |
Dvorák, A. | Concerto in A minor, Op. 53 | |
Frumerie, G. | Concerto, Op. 19 | |
Glass, P. | Concerto, 3rd movement | |
Haydn, J. | Concerto in G major, Hob. VIIa:4 | |
Hubay, J. | Hejre Kati (Scenes de la Csarda No 4) | |
Kreisler, F. | Viennese Rhapsodic Fantasietta (1941-42) | |
Concerto in C major “in the style of Vivaldi” | ||
Massenet, J. | Meditation from “Thaïs” | |
Mendelssohn Bartholdy, F. | Concerto in D minor for violin and strings | |
Concerto in D minor for violin, piano and strings | ||
Concerto in E minor, Opus 64 | ||
Milhaud, D. | Le Boeuf sur le toit (Cinéma-Fantaisie) | |
Mozart, W.A. | Concerto in B-flat major, KV 207 | |
Concerto in D major, KV 211 | ||
Concerto in G major, KV 216 | ||
Concerto in D major, KV 218 | ||
Concerto in A major, KV 219 | ||
Adagio in E major, KV 261 | ||
Rondo in C major, KV 373 | ||
Sinfonia Concertante in E-flat major, KV 264 | ||
Peterson-Berger, W. | Concerto in F-sharp minor | |
Paganini, N./K. | Concerto in one movement (1st mvmt from Concerto No 1) | |
Prokofiev, S. | Concerto No.1 in D major, Op. 19 | |
Ravel, M. | Tzigane (Rapsodie de Concert) | |
Roman, J. | Concerto in D minor, BeRI 49 | |
Saint-Saëns, C. | Concerto No 3 in B minor, Op. 61 | |
Havanaise, Op. 83 | ||
Shostakovich, D. | Concerto No 1 in A minor, Op. 99 | |
Sibelius, J. | Suite, Op. 117 Sköld, Yngve Concerto (1941) | |
Stenhammar, W. | Two Sentimental Romances, Op. 28 | |
Svendsen, J. | Romance in G major, Op. 26 | |
Tchaikovsky, P.I. | Valse-Scherzo, Op. 34 | |
Concerto in D major, Op. 35 | ||
Vieuxtemps, H. | Ballade et Polonaise, Op. 38 | |
Viotti, G. | Battista Concerto No 22 in A minor | |
Vivaldi, A. | Le Quattro Stagioni, Op. 8 | |
Weill, K. | Concerto for violin and wind orchestra, Op. 12 | |
Wieniawski, H. | Polonaise de Concert in D major, Op. 4 |