Københavns Drengekor/Copenhagen Royal Chapel Choir, choir
CHOIR

Københavns Drengekor/Copenhagen Royal Chapel Choir

Website
Represented By:

Tom Kristensen
tk@crescendiartists.com
+45 21 85 58 61

Ole Justesen
oj@crescendiartists.com
+45 21 85 58 60

BIOGRAPHY

Among some of the oldest European Musical traditions are the Cathedral choirs and their choir schools. The Copenhagen Royal Chapel Choir is the only representative of this tradition in Scandinavia.

Founded in 1924 by Mogens Wöldike the choir quickly developed into a full-time institution with the boys receiving their general education alongside a full musical and vocal training in Sankt Annae Gymnasium, the Copenhagen Municipal Choir School. Today the choir usually consists of 30 boys and 14 gentlemen.

Since 1959 the choir has been resident at Copenhagen Cathedral and as part of its duties performs at state occasions and during royal visits abroad. In fact since Ebbe Munk became director of the choir in 1991 they have undertaken concerts in leading concert halls, cathedrals and festivals all over the world.

Benjamin Britten, Ernest Ansermet, Raphael Kubelik, Giuseppe Sinopoli, Andrew Davies, Sir Charles Mackerras, Christopher Hogwood, Paul McCreesh, Vladimir Ashkenazy and many others have each conducted the CRCC. Contemporary Scandinavian composers including Poul Ruders, Palle Mikkelborg, Per Nørgaard and Knut Nystedt have written works especially for the choir.

Le Figaro has placed the choir alongside the Vienna Boys Choir and that of Kings College, Cambridge as one of the finest in Europe. They work regularly with the Danish National Symphony Orchestra and have made numerous CD recordings on EMI, Vanguard, Chandos, Decca, Telefunken, Danica Records and Dacapo.

In 2000 the CRCC received the prestigious Eugene Mortimer Choir Prize by the European Cultural Foundation Pro Europa.

From 2002 the choir has been nominated “Ambassadeurs de l’Union” by the Fédération Européenne des Choeurs de l’Union in Brussels. In 2002 the choir also received a Grammy at the Danish Music Awards for the recording of Buxtehude´s Cantatas together with Dufay Collective, London.

In November 2003 CRCC was honoured in Paris by l´Institut de France-Acadeémie des Beaux- Arts with the Prix Chant choral Liliane Bettencourt 2003.

As part of its duties the choir performs at state occasions and during royal visits abroad. CRCC was greatly honoured to play a major musical part at the wedding of His Royal Highness the Crown Prince Frederik of Denmark and Crown Princess Mary in Copenhagen Cathedral in 2004 and at the baptism of their firstborn, Prince Christian in 2005 and second born Princess Isabella 2007.

Since 1991 Ebbe Munk has been the artistic director and chief conductor of the Copenhagen Royal Chapel Choir.

REPERTOIRE

REPERTOIRE

Copy Past repertoire here

AUDIO & VIDEO

P.I. Tchaikovsky - Cheruvimskaya pesñ (Hymn of the Cherubim) no. 6
O. Ring - Danmark, nu blunder den lyse nat (Lyrics: Thøger Larsen) (Danish song)
C.E.F. Weyse - Natten er så stille (Lyrics: J. L.Heiberg) (Danish song)
P.I. Tchaikovsky - Da isprvitsya (Let my prayer arise)
P.E. Lange-Müller - In te, Domine, speramus (Three Psalms) Op. 21

REVIEWS

American Choral Review

“It is extremely difficult to adequately and justly describe a truly great musical performance such as that presented by Copenhagen Boys’ Choir”

Le Figaro

“On the occasion of the Danish Queen Margrethe’s official visit to France, the Danes had made the French the most perfect and rare present from the musical world. After having heard the Copenhagen Boys’ Choir last Saturday, we are able to establish the fact that this choir must be classified along with the most excellent children’s and youth-choirs in the world. That is to say L’Escolania de Montserrat, the choir from King’s College in Cambridge, the choirs from Tölz and Regensburg, and finally the Wiener Sängerknaben”

Berlingske Tidende

“The Copenhagen Boys’ Choir gave good for thought. There was no lack of dynamics and mature sound and the music lived with the chamber-musical transparancy and soloistic quality that is the characteristic ideal of the renaissance music. It was an eminent expression – a performance for recording.”

 Jyllands-Posten

“The concert of the Copenhagen Boys’ Choir was an artistic experience which it is a shame to describe in words. The 40 boys’ and 16 men’s singing is some of the finest ever heard and you were still feeling the crystal-clear intonation, gentle and powerful, after getting out into the Danish cold west-wind […] trying to describe, it is close to the commonplace […] The boys’ incredible musicality was astonishing and admiring.”

Washington Post

“When music by Palestina and Schütz is sung as well as it was last night in the Washington Cathedral the sound is surprisingly beautiful […] They sang with a natural-sounding freedom and lightness that is even more impressive than their unusual accuracy and blend.”

Luzerner Neueste Nachrichten

“Copenhagen Boys’ Choir – educated and prepared to the perfect – sang with great enthusiasm compositions from the Rennaissance and the Baroque as well as classical and contemporary music […] The sound of the choir was remarkably homogenous and it was sung with a correct pronounciation, dynamically varied and with a never-failing attendance. Despite the heavy demanding programme you never felt any weariness.”

La Republique, Orléans

“The singers expressed a brightness in the subtle polyphony and in the modern and daring tones of ‘Cantiones Sacrae’. At once the ensemble revealed itself as being very professional with a magnificant punctuality. So they presented us with a wonderful musical dialoque and these young singers’ great virtuosity was much admirable.”

Tribune Genève

“There was a chance to admire the clear and beautiful pitch of the 60 boys- and male singers and value the ideal balance which was in the performance […] You could really feel the musical quality that Ebbe Munk transfers to his singers in the intense and genuine phrases […] The choir is giving a unique illustration of quality which hopefully we will very soon meet again in Switzerland.”

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