Baritone

Boris Statsenko

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Represented By:

Michael Morelli
mm@crescendiartists.com
+45 21 95 28 28

Ole Justesen
oj@crescendiartists.com
+45 21 85 58 60

BIOGRAPHY

Born in in the town of Korkino, Chelyabinsk province, in the Urals. He studied at Chelyabinsk Music School (G. Gavrilov’s class), and the Moscow Conservatoire (Professor Hugo Tits’s class) where he was also a post-graduate (Professor Pyotr Skusnichenko’s class).

Future engagements include a.o. Rigoletto at Volksoper Wien, Baron/Miserly Knight with the Scottish Opera, Macbeth, Jago/OtelloRuprecht/Der Feurige Engel, Tonio/Pagliacci and Gerard/Andrea Chenier at Deutsche Oper am Rhein as well as Macbeth with Deutsche Oper am Rhein at Theater Duisburg.

Recently he has performed Nabucco at Teatro Socilae di Rovigo, Tomskii/Queen of Spades at Norwegian National Opera in Oslo, Rachmaninov/Vesna Op. 20 at Teatro Filarmonico di Verona, the title role in Nabucco at Tatar State Opera, Kazan, Iago/Otello, Amonastro/Aida, Scarpia/Tosca and Le coq d’or/König Dodon at Deutsche Oper am Rhein Düsseldorf, Wolfram/2 Act of Tannnhäuser at the 100 Anniversary Jury Ljubimov Gala Concert at Bolshoi Theater in Moscow, Amonastro/Aida, Scarpia/Tosca and Nabucco at Arena di Verona and Frà Melitone/La forza del Destino at Opera Tel Aviv.

He was a prizewinner at the Maria Callas Competition (Greece, 1989), and the Tchaikovsky Competition (Moscow, 1990). In 1987, he joined Boris Pokrovsky’s Moscow Chamber Music Theatre.

From 1990-1995, he was soloist with the Bolshoi Theatre, where he sung upwards of ten roles including such as Silvio (Pagliacci), Yeletsky (The Queen of Spades), Georges Germont (La Traviata), Figaro (Il barbiere di Siviglia), Valentin (Faust), Robert (Iolanta)

As Bolshoi Theatre guest soloist he performed Don Carlo (La Forza del Destino), Napoleon (Prokofiev’s War and Peace), Ruprecht (The Fiery Angel), Tomsky (The Queen of Spades), the title role (Nabucco), the title role (Macbeth).

His international engagements include appearances in Hamburg, Dresden, Berlin, Stuttgart, Frankfurt, Essen, Cologne, Helsinki, Oslo, Amsterdam, Brussels, Liege, Bordeaux, Toulouse, Strasbourg, Marseilles, Paris, Turin, Montpellier, Toulon, Copenhagen, Palermo, Treiste, Tokyo and others.

From 1993-1999, he appeared as guest artist with the Kemnits Opera Company. Since 1999 he has been a soloist with Dusseldorf Opera, where he sang:

Rigoletto, Scarpia (Tosca), Chorebe(Berlioz’s La prise de Troie), Lindorf, Coppelius, Miracle, Dapertutto (Les contes d’Hoffmann), Macbeth, Escamillo (Carmen), Amonasro (Aida), Tonio (I Pagliacci),

Amfortas (Parsifal), Gellner (La Wally), Iago(Otello), Renato (Un Ballo in Maschera), Georges Germont (La Traviata), Michele (Il Tabarro), Nabucco,Carlo Gerard (Andrea Chenier).

He participated in the Ludwigsburg Festival pro¬ductions under the direction of Wolfgang Gennenwein, where he has sung the lead baritone roles in Stiffelio, II trovatore, Nabucco, Ernani and Un ballo in maschera.

He has given concert appearances (over 100) in Japan.

He makes regular concert appearances at Lucca Festival and has sung in La Traviata, La forza del destino, Tosca, Rigoletto, La Boheme, Tannhauser, lolanta and The Queen of Spades in Venice, Turin, Padua, Lucca and Rimini.

Together with La Scala soloists, Anna-Caterina Antonacci, Luigi Roni, Claudio Dezderi and Alberto Rinaldi, he appeared in Il barbiere di Siviglia in Germany, France, Italy Belgium and Holland.

In 2003, he sang Nabucco in Athens, Iago in Graz, Count di Luna in Copenhagen, Georges Germont in Oslo, Scarpia and Figaro in Trieste.

In 2004-06, — Scarpia in Bordeaux, Germont in Oslo and Marcello (La Boheme) in Luxembourg and Tel-Aviv, Rigoletto and Carlo Gerard in Graz.

In 2007, — Tomsky in Toulouse.

In 2008, — Rigoletto in Maxico, Scarpia in Budapest.

In 2009, — Nabucco in Graz, Scarpia in Wiesbaden, Tomsky in Tokyo, Rigoletto in New Jersey and Bonn, Ford and Onegin in Prague.

In 2010, — Scarpia in Limoges.

REPERTOIRE

REPERTOIRE

OPERA 
Berlioz, H. Les Troyens Chorèbe
Bizet, G. Carmen Escamillo
Borodin F. First Igor First Igor
Donizetti, G. Lucia di Lammermour Enrico
Leoncavallo, R. Pagliacci Tonio
Mascagni, P. Cavalleria rusticana Alfio
Musorgsky, M. Boris Godunov Schelkalov
Prokofiev, S. Der feurige Engel Ruprecht
Verlobung im Kloster (Duenia) Ferdinand
War and Peace Napoleon
Puccini, G. Gianni Schicchi Gianni Schicchi
Il Tabarro Michele
La Boheme Marcello
Madama Butterfly Sharples
Tosca Scarpia
Rachmaninoff, S. Francesca da Rimini Lanciotto
Rimsky-Korsakov, N. The Golden Cockerel King Dodon
The Tsar’s bride Gryaznoy
Rossini, G. Il barbiere di Siviglia Figaro
Otello Jago
Strauss, R. Salome Jochanaan
Tchaikovsky, P.I. Cantata Moscow Solo baritone
Eugenio Onegin Eugenio Onegin
Iolanta Robert
Mazeppa Mazeppa
Pikovaya dama Elezky
Pikovaya dama Tomskii
Verdi, G. Aida Amonasro
Don Carlos Rodrigo
Ernani Don Carlo
Falstaff Ford
Il Trovatore Di Luna
La forza del destino Fra Melitone
La traviata Georgio Germont
Luisa Miller Miller
Macbeth Macbeth
Nabucco Nabucco
Otello Jago
Rigoletto Rigoletto
Stiffelio Stancar
Un ballo in maschera Renato
Wagner, R. Das Rheingold Donner
Parsifal Amfortas
Tannhäuser Wolfram

AUDIO & VIDEO

Boris Statsenko – Nabucco by G. Verdi – Chi mi toglie il regio scettro – Feb. 2019

Boris Statsenko – Dracula by A. Tikhomirov – Serenade of Vlad Dracula – Sochi, July 2017

Boris Statsenko – Nabucco by G. Verdi – Dio di giuda… Oh, prodi miei – Feb. 2019

Boris Statsenko – Aida by G. Verdi – Amonasro – Arena di Verona, June 2017

REVIEWS

Von Jochen Rüth / 6.10.2017

“Obendrein gab es am gestrigen Abend ein Rollendebut: Boris Statsenko ist am Haus überlicherweise auf die großen Baritonrollen abonniert, war u.a. ein umwerfender Rigoletto und hat mich in der vergangenen Spielzeit als Jago tief beeindruckt. Dass der Russe auch komisch kann, darf er nun seit gestern in der Titelrolle des „Gianni Schicchi“ unter Beweis stellen – und es gelingt ihm hervorragend. Mit viel Gespür für komödiantisches Timing gibt er den schlitzohrigen Florentiner mal stimmgewaltig, mal als Greis mit gebrochenem Stimmchen. Es ist schlicht herrlich zuzusehen, wie das langjährige Ensemblemitglied seinem künstlerischen Schaffen eine weitere Facette hinzufügt.”
– http://deropernfreund.de

Tosca, G, Puccini, Arena di Verona, 2017

“Molto interessante dal punto di vista musicale lo Scarpia delineato dal baritono Boris Statsenko. Il cantante russo ha mostrato consistente drammaticità e notevole presenza scenica oltre che una vocalità dal timbro perfettamente in sintonia con il ruolo affrontato. Statsenko, che è dotato di voce salda e può contare su una corretta emissione che lo sorregge in tutti i registri, offre una prova di forza considerevole nel secondo atto, risultando vocalmente sicuro e un interprete coinvolgente.”

– Di Pierluigi Guadagni

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