Adam Frandsen, tenor

Adam Frandsen

Official website
Represented By:

Michael Morelli
+45 21 95 28 28

Ole Justesen
+45 21 85 58 60


Danish tenor Adam Frandsen is quickly gaining international attention for a lyric tenor voice that is “shining, effortless, and bursting with energy.”

Recently the artist has performed as tenor soloist at Verdi’s requiem with Victoria Symphony, Canada; Augustin Moser/Meitersinger von Nürnberg at Salzburg Easter Festival, Don Ottavio/Don Giovanni with Auckland Philharmonic Orchestra (a collaboration between the Auckland Philharmonic Orchestra and New Zealand Opera), Edgardo/Lucia di Lammermoor at Opera Hedeland, Alfredo/La Traviata at Danish National Opera, New Years Concert with Norrköping Symphony Orchestra, Tamino/Die Zauberflöte in Gothenburg, “Das Lied von der Erde” concert with Mahler Chamber Orchestra w. Ion Marin, Alfredo/La Traviata at Kilden Kristiansand, Sir Edgardo di Ravenswood/Lucia di Lammermoor and Rodolfo/La bohème at Opera Hedeland, Ishmael/Moby Dick at Polish National Opera Teatr Wielki, Duke/Rigoletto with the Haifa Symphony Orchestra, Tamino/Die Zauberflöte, and Farinelli in the Tivoli Concert Hall with the Tivoli Symphony Orchestra, Copenhagen, as well as Shephard/Oedipus Rex with Malmö Symfoniorkester.

Future highlights include among others Rodolfo/La Bohème at Taichung National Theater, Jaquino/Fidelio with Trondheim Symfoniorkester, Das Lied von der Erde in Kioi Hall, Tokyo, Junge Diener/Elektra and Narraboth/Salome at Royal Opera House Covent Garden London and Mismodet/Antikrist at Rued Langgaard Festival.

Engagements in 2015 and 2016 include as well Ferrando/Cosi fan Tutte and Elvino/La Sonnambula at Opera Hedeland,Narraboth/Salome at Copenhagen Royal Opera with Stefan Herheim and Boder and the lead role as Arcihtect Jørn Utzon in Opera Australia’ s highly profiled opera ‘Eight Wonder that celebrates the constuction of the House and famous emblem of the city.

In spring 2013, Adam Frandsen was seen with the Württembergishces Philharmonie, Germany in a concert of opera highlights. Mr. Frandsen has also covered Pinkerton in Madama Butterfly at the Seiji Ozawa Opera Project/Saito Kinen Festival and Rodolfo in La bohème under Lorin Maazel at the Castleton Festival. Mr. Frandsen has sung the roles of Don Jose/Carmen; Rinuccio/Gianni Schicchi; Ruggero/La Rondine; Arcadio/Florencia en el Amazonas; The Prologue/The Turn of the Screw; and the title roles in Idomeneo and Faust. In the 2013-2014 season, Mr. Frandsen made an important role debut at Semperoper Dresden as Sergei in Shostakovich’s Moscow, Cheryomushki. He also sang performances of Cavaradossi in Tosca at Aalborg Opera Festival and Roméo in Roméo et Juliette at the Copenhagen Opera Festival.

As a concert soloist, he has sung Beethoven’s 9th Symphony under Lorin Maazel, Handel’s Messiah, Saint-Saëns’s Christmas Oratorio, Dubois’s Seven Last Words of Christ and Schubert’s Die schöne Müllerin. In the summer of 2011, Mr. Frandsen sang a program of Scandinavian songs by composers Sibelius, Grieg and Carl Nielsen in the Tivoli Concert Hall, Copenhagen.

Mr. Frandsen has taken part in the Aspen Music Festival, The International Vocal Arts Institute Israel and Virginia, as well as the IIVA Puerto Rico. He has worked with and received master classes from Joan Dornemann, Sherrill Milnes, Mignon Dunn, Håkan Hagegård, Vinson Cole, Seiji Ozawa, Lorin Maazel, Pierre Vallet and Patrick Summers. He was a regional finalist in the 2008 Metropolitan Opera National Council Auditions and has been awarded grants and scholarships from Moores, Curtis, and several American as well as Danish organizations.

Mr. Frandsen began his singing as a young boy in the Copenhagen Royal Chapel Choir and started his opera studies in 2005 with guest professor at the Copenhagen Royal Opera, Douglas Yates. He then moved to Houston, Texas, where he studied under Professor Timothy Jones, conductors Peter Jacoby and Lucy Arner, and director Buck Ross at the Moores School of Music. Adam Frandsen is a graduate of the Curtis Institute of Music under the direction of Mikael Eliasen and was a student of Marlena Malas.


Adam Frandsen – Die Zauberflöte by W. A. Mozart – Trollflöjten

The Eighth Wonder: The story featuring Adam Frandsen (Sydney Opera House)

Adam Frandsen – La Bohème by G. Puccini – aria Che Gelida Manina (audition)


The Magic Flute by W.A. Mozart at GöteborgsOperan – April 2017

“Mozarts toner klingar underbart både i orkesterdiket och från scenen. Som Tamino hör vi den danske sångaren Adam Frandsen som äger en varm och fyllig tenorstämma.”

– Thorvald Pellby Petterson, Sveriges Radio P4

The Magic Flute by W.A. Mozart at GöteborgsOperan – April 2017

“…The Gothenburg Opera Orchestra under Henrik Schaefer’s baton continue to excel themselves in Mozart, matching the infectious love for the scores of Gothenburg’s previous Mozart productions… Adam Frandsen also convinced as Tamino. His tight vibrato suits the role and he had confidence and control almost to the top of his range. He very effectively combined excellent diction with lyrical expression. ”
– Niklas Smit, Seen and Heard International