Denis Matsuev has become a fast-rising star on the international concert stage since his triumphant victory at the 11th International Tchaikovsky Competition in Moscow in 1998, and is quickly establishing himself as one of the most sought-after pianists of his generation. Laureate of prestigious Shostakovich Prize in Music and State Prize of Russian Federation in Literature and Arts Mr. Matsuev has appeared in hundreds of recitals at the most prestigious and legendary concert halls throughout the world.

Mr. Matsuev is collaborating with the world's best known orchestras, such as the New-York Philharmonic, Chicago Symphony, Berlin Philharmonic Orchestra, London Symphony, London Philharmonic, Leipzig Gewandhaus Orchestra, Bavarian Radio Symphony, National Symphony, Pittsburgh Symphony, WDR of Cologne, Frankfurt Radio and BBC Symphony, Philharmonia orchestra of London, Verbier and Budapest Festival Orchestra, Filarmonica della Scala and Zurich Opera House Orchestra, Maggio Musicale Fiorentino and Accademia Nazionale di Santa Cecilia, Orchestre National de France, Orchestre de Paris, Orchestre Philharmonique de Radio France, Orchestre National du Capitole de Toulouse, NHK Symphony, Rotterdam and Netherlands Radio Philharmonic, Israel and Helsinki Philharmonic and the European Chamber Orchestra; he is continually re-engaged with the legendary Russian orchestras such as the St. Petersburg Philharmonic, the Mariinsky Orchestra and the Russian National Orchestra.

Denis Matsuev appears regularly with the most prominent conductors on the stage today, including Lorin Maazel, Valery Gergiev, Zubin Mehta, Mariss Jansons, Yuri Temirkanov, Kurt Masur, Paavo Jarvi, Leonard Slatkin, Myung-Whun Chung, Antonio Pappano, Semyon Bychkov, Ivan Fischer and Adam Fisher, Gianandrea Noseda, Jukka-Pekka Saraste, James Conlon, Vladimir Spivakov, Mikhail Pletnev, Vladimir Fedoseyev and others.

Mr. Matsuev is a frequent guest of world’s famous musical festivals such as Ravinia Festival and Hollywood Bowl in the United States, BBC Proms and Edinburgh International Festival in Great Britain, Schleswig-Holstein, Rheingau, Festspielhaus Baden-Baden in Germany, Chopin Festival in Poland, Maggio Musicale Fiorentino and Mito Festival in Italy, Les Choregies d’Orange and Festival de la Rogue d’Antheron in France, Verbier and Montreux Festivals in Switzerland, Enescu Festival in Romania, Budapest Spring Festival in Hungary, Athens and Epidaurus Festival in Greece and Stars of the White Nights Festival in Russia.

Highlights of upcoming seasons include appearances with Israel Philharmonic and Zubin Mehta in Russia followed by tour in Israel under Yuri Temirkanov, Royal Philharmonic with Charles Dutoit, tours with London Symphony and Mariinsky Orchestra under Valery Gergiev US, Europe and Japan; in the US to join Los Angeles Philharmonic with Krzysztof Urbanski, Philadelphia under Gianandrea Noseda and US tour of Pittsburgh Symphony under Manfred Honeck, and to Canada for appearing with Montreal Symphony under Mikhail Pletnev; in Europe with Oslo Philharmonic and Accademia Nazionale di Santa Cecilia, Swiss Romande and Luzern Symphony Orchestra, tour with Concertgebouw under Mariss Jansons and Israel Philharmonic with Kurt Masur.

Dennis Matsuev has recorded several discs for labels such as Sony BMG, the new Mariinsky Label and RCA to great critical acclaim.

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Virtuoso Duet with Denis Matsuev & Mikhail Pletnev, Montreal, March 2013

"My Moscow relatives were jealous when I told them I would hear Denis Matsuev play Rachmaninoff’s Third Piano Concerto at the Maison symphonique Thursday, and these are not easy people to impress. I had one cousin train an elephant to walk a tightrope between two balconies at a party — a three-ton beast, bejazzled in every way, who loped across with a triumphant teenager on top — and nobody noticed.
Turns out they were right to be jealous, but first there was the matter of The Seasons, the ballet by Glazunov — the same Glazunov who allegedly ruined the première of Rachmaninoff’s first symphony by conducting it drunk. Not a Russian tradition, in this case — it’s just what I think of whenever these two share a concert program.
Glazunov was a wunderkind, like Rachmaninoff, but from St. Petersburg instead of Moscow. He even managed to ride out the revolution, which comes to mind because there is something shrewd about his music, even with Mikhail Pletnev leading the OSM. It was a vivid performance and its more brilliant parts, like the Autumn Bacchanal, made me glad there weren’t dancers trying to keep up with Pletnev. He conducts like a man launching a yacht in a tuxedo, careful-don’t-get-mud-on-it movements bursting into Christ-I’ll-do-it-myself. But most of the suite just ran prettily past. No matter how finely the material is worked, it’s still not gold.
Expectations were high when Matsuev arrived. At 38, he looks like a big, rosy-cheeked Siberian boy, but he moves like a gallant; he could have entered in a litter. Pletnev and he passed for two men ignoring each other while performing a virtuoso duet; the opening theme’s octaves glided into the orchestral line as if they were played by one hand, and the first cadenza (the piano solo) was volcanic, a freakish release that cast Matsuev’s elegant composure into self-conscious relief. The finale was sublime, but the best was their wondrous Intermezzo, as balanced as a watch spring and as full of discoveries as the ocean in the dead of night."

This much beauty was almost a knockout after Glazunov’s pretty slapping, but it wasn’t enough to prevent the massive audience from giving the champion six trips to the door before he realized an encore was necessary. So he played two.

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